A project working with high school students in the birthplace of musical group Yothu Yindi is putting Indigenous female rappers in the spotlight — and they are doing it in their own language, Yolngu Matha.
A new plan to combat petrol sniffing in East Arnhem Land is being discussed with government officials this week, with the central aim of keeping kids on their home country for treatment.
The annual Garma festival in northeast Arnhem Land opened for the 20th year on Friday with attendees told that Indigenous sovereignty would be a “gift for all the Australian people”.
At a ceremonial welcome at the Gulkula grounds on Gumatj country, senior Gumatj ceremony man, Djunga Djunga Yunupingu, said a year ago they had been speaking with hope about the Uluru statement and its three proposals for constitutional reform.
The only national event of its kind, DAAF generated a record $2.23 million in 2017 and a total of $8.83 million over the past five years and has secured a reputation as one of the country’s most significant and internationally recognised arts events
It’s set to be the largest one ever as, showcasing the work of more than 2000 Indigenous artists from across Australia with 100 per cent of revenue going back to remote communities.
Buku-Larrnggay Mulka (Yirrkala)
Gapuwiyak Culture and Arts (East Arnhem Land)
Injalak Arts (Galbanyala)
Ngukurr Arts Aboriginal Corporation (Ngukurr)
Milingimbi Art and Culture (East Arnhem Land)
Darwin will again be transformed into an internationally recognised epicentre of Aboriginal and Torres Strait Islander (ATSI) culture, art, fashion, music and food, as the Top End hosts the 12th Darwin Aboriginal Art Fair (DAAF) this August.
Created 12 years ago, DAAF has cemented itself as a platform to ethically promote the artwork of Aboriginal and Torres Strait Islander Art Centres and communicate the important economic role they play in generating revenue for remote communities. It has also become a wider platform to discuss modern Indigenous culture, issues and ideas.
Growing annually and with almost 10,700 attendees in 2017, the 2018 DAAF will feature a selection of prestigious cultural events and activities, kicking off with the popular From Country to Couture fashion show on 8 August.
DAAF will showcase the work of more than 2000 Indigenous artists from across Australia, with 100 per cent of revenue going back to remote communities.
The only national event of its kind, DAAF generated a record $2.23 million in 2017 and a total of $8.83 million over the past five years and has secured a reputation as one of the country’s most significant and internationally recognised arts events.
Executive Director of DAAFF, Claire Summers, said she expected the New York Times’ recent recognition of the Top End as one of the “Top 52 Places to Go in 2018” would bolster already growing international visitor numbers this year.
“It was humbling to see DAAF named as one of the key reasons to visit the Top End, and fantastic to see our region receive such positive international endorsement,” she said. “We’ve been steadily building our international curator visitor numbers in recent years, and expect this to increase following the New York Times’ recognition.”
Each year DAAF showcases a spectacular diversity of artwork and provides visitors with a genuine opportunity to meet Indigenous artists, performers, and arts workers who have travelled to Darwin from some of the most remote regions of Australia.
This year’s calendar includes cultural performances, workshops and demonstrations, kids activity stations and the Darwin Aboriginal Art Fair Foundation (DAAFF) panel discussion.
“DAAF provides a genuine opportunity for arts industry buyers and art and design aficionados to purchase art directly from Indigenous owned and incorporated Art Centres from right across Australia,” Ms Summers said.
“We have visitors come from all over the world for the opportunity to purchase stunning art and experience the rich diversity of artwork that has been inspired by Australia’s most remote desert and coastal regions, to rural and urban communities.”
DAAF offers a range of styles, mediums and products including paintings on canvas, bark paintings, works on paper including limited edition prints, sculpture, didgeridoos, fibre art and cultural regalia.
DAAF is held annually in August, and is proud to sit under the umbrella of the Darwin Festival. DAAF is owned and operated by a membership of ATSI Art Centres and its mission is to encourage the production of Aboriginal arts and assist with the promotion in an ethical business environment. DAAFF is committed to professional development opportunities for artists and Art Workers, and to continually contribute to the cultural aspirations of the Art Centres.
DAAF was originally conceived and designed to complement the National Aboriginal and Torres Strait Islander Art Awards (NATSIAA). It also celebrates the National Indigenous Music Awards and the Garma Festival which are held over the same week. Together, these prestigious events mark the most significant national festival of Aboriginal and Torres Strait Islander arts in the world. DAAF is also proudly supported as an umbrella event of the Darwin Festival.
For further information, visit www.daaf.com.au .
For more information, please contact Bastion Effect: Emma Jarrett 0438 336 408 firstname.lastname@example.org Lucas Forato 0421 987 117 email@example.com
Senior indigenous leader Galarrwuy Yunupingu has admonished Malcolm Turnbull and Bill Shorten for the slow pace of indigenous constitutional recognition, almost a year after he believed both men were going to make the issue a priority in the parliament.
Penning a heartfelt chairman’s essay for his Yothu Yindi Foundation’s annual Garma Festival in August, Mr Yunupingu, a leader of Northeast Arnhem Land’s Yolngu people, expresses disappointment that the Prime Minister and Opposition Leader have not translated their forceful words at last year’s event into adequate action.
Negative commentary about plans for Australia’s first commercial space centre could dissuade other prospective investors to the East Arnhem land region, a local Indigenous group has warned.
Independent Member for Nhulunbuy Yingiya Mark Guyula criticised the NT Government for pushing the project, claiming “people out there [around Nhulunbuy] are not interested”.
“There’s enough trouble in the homelands out there already without this industry coming in that’s providing big dollar signs to the rest of the world … to Australia.”
Now Gumatj Aboriginal Corporation’s Klaus Helms has warned other investors from various industries are likely to be watching.
I noticed that Air North have announced some new route they will be flying from Darwin to Alice Springs. This is very good. I also noticed that this has been supported and subsidised by the government. Last year I appealed to the Chief Minister to support remote communities in accessing cheaper travel. Can you tell me what the government are doing to support and subsidise the existing air routes to remote communities Galiwinku, Maningrida, Milingimbi, Ramingining, Gapuwiyak and other communities.
It is important that people from communities have access to air services out there. We do know that particularly in the north of the Northern Territory it does present some real challenges when the wet season and the monsoon kick in, and with access to certain communities. Because we still have the issue with roads and trying to get as much sealed as possible to communities more accessible year round.
There is going to be a body of work happening at a federal level looking at the subject of regional air services, which of course will look at places like remote communities and level of services that do go out there.
That is going to be a very important body of work and I would urge you to make a submission—but I am sure you have already done that—with regards to how airline services can service Territorians better going out there across the Northern Territory.
We did invest in extending the centre run, which is the run that goes from Darwin, Katherine, Tennant Creek, Alice Springs and back, because that is something we need as well. It is an important service and that is one thing that I will thank the previous government for where they got that trial up and running. And we have continued that as well, to see if we can see some commercial operation happening there. Because it is an important service.
But what is so fantastic about this dry season is that that is going to extend from three days a week to five. That is going to test some of those commercial opportunities there, about making it a more viable and sustainable route for Territorians to travel on in getting up and down the track.
Looking at regional transport, it is an important area to look at those accessibility issues. Getting out to community. I know it is a tough cost of living pressure if people have only air transport to use. It is something I would be keen to discuss with you further Member for Nhulunbuy and happy to have a bit of a conversation so I can understand the needs of your constituents a bit better.
In the meantime we have managed to make sure that we invest in airstrips as well because that is very important infrastructure. I know Milingimbi, that has been an issue there and we have put significant funds into it through the budge to look at the widening and the issues there with the airstrip.
We would be more than happy to sit down with you, Member for Nhulunbuy, to understand some of those transport and accessibility issues. But again, I think it is going to be a really important body of work that we see through those questions that the senate committee look at with regards to remote and regional air services. And looking forward to seeing what comes out of that and where there are more gaps that need to be filled in ways in which we can ensure that there is more sustainable and cost-effective airfares for people who live out bush.
On January 22, 1943, the Pat Cam set off for Elcho Island with 19 crew, a Methodist pastor and five aboriginal passengers on board.
About noon a Japanese sea plane cut its engine and dived to about 30m, dropping a bomb which tore through the ship’s hold.
The sea plane returned several times, strafing the survivors who clung to debris and a life raft, before landing nearby and capturing the pastor Reverend Leonard Kentish, who was later beheaded.
Yesterday marked the 75th anniversary of the vessel’s bombing and the loss of nine lives.
Around 100 people including Navy members based at HMAS Coonawarra Naval Base attended the service in Darwin. HMAS Patricia Cam was travelling from Elcho Island in North East Arnhem Land to Yirrkala via Cape Wessel on a mission to drop four Yolngu men back to Yirrkala with code books.
The Indigenous elder revered by some as ‘Australia’s Dalai Lama’ is the spiritual keeper of the didgeridoo. A new exhibition honours his legacy and the immense significance of the Yolngu instrument that is helping to heal a divided country.
He is Djalu Gurruwiwi: a Yolngu elder and lawman from north-east Arnhem Land, a songster, healer, virtuoso and master craftsman of the yidaki (didgeridoo), as well as the instrument’s spiritual keeper. From up here he surveys his Australian Rules team, smiles and nods in approval as his players go through their pre-season paces, calling for the ball and kicking and marking, on this humid morning.
IN 1963 the Yolngu people of Northeast Arnhem Land sent their bark petitions to the Federal Government, protesting the Commonwealth’s granting of mining rights to the North Australian Bauxite and Aluminium Company.
In a struggle that’s lasted more than five decades, Yunupingu’s argument has never been that mining should not be allowed on Aboriginal land. Rather, he’s argued that the industry should be conducted on the traditional owners’ terms as a means for creating economic opportunity and escaping the welfare trap.
“This bauxite we are mining is ours,” he said.
“We used to own it before the land was taken away by the Commonwealth. We still own the land and the bauxite.